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@otherdemon – Well done – great sleuthing!
I absolutely love it when MP get into a funk groove.
@Hans Boller – maybe you can find it by doing a search on the lyrics. I tried and found nothing, but I'm not sure I have the lyrics right. All I can make out is "Red [Rock?] Louisiana, There's a church that's got it all" and the chorus seems to start with "Ride red [something??]"
@Johnny- Haha, I don't hear that at all in Blissard or Trust Us, I'll listen with different ears next time 🙂
@bartok- I absolutely agree regarding Uberwagner.
I know this is off topic, but following the comments above…
I'd love to hear an album leaning more heavily on acoustic folk but with some electric thrown in – e.g. Led Zep III, After the Goldrush, If I Could Only Remember My Name ….
I also reckon they could record a brilliant boogie album along the lines of T.Rex's Electric Warrior or some ZZ Top. Or a funk rock album (Funk 99 already proves this).
How about some kosmische/krautrock?
Quote:Normally it is either fans stumbling over their own feet in excitement – hello Punj Lizard []
True dat :lol: :lol: :lol:
@Tomcat – exactly!
@Tomcat – Yes! The King Crimson cut was brilliant. So well edited. And as a quote, this has to be one of my favourites, especially because, as @otherdemon says, it is so blasephmous to describe Led Zeppelin as lousy, crap. :lol: :lol:
Tomas: "My dad introduced me to Deep Purple, Jimi Hendrix … and then he made one mistake: he went to put on Red by King Crimson … and then after that, Led Zeppelin. That was a bad move. Led Zep was complete bullshit to me because Bill Bruford, King Crimson, [as an] 8-year-old drummer at home you're going bananas. And then you hear Led Zeppelin. This is lousy, crap – that's what I thought at that point, because nothing was as cool as King Crimson. So what you should do is Deep Purple, Sabbath, Zeppelin … then Crimson."
Just finished watching. Amazing! Looking forward to watching it again, probably later today
Great news! Queueing it up right now. You are a wonder Bernie!! Thank you so much
May I suggest that whatever systems you choose (and I agree with those above who say rigorous consistency is imperative), it would be really helpful to include a clear description of the systems so that users can navigate and comprehend more easily and precisely.
I'm in awe of all the work you're putting into this project. Thank you so much.
Amazing work – thanks Bernie
Great work, BronYAur. Interesting stats
Are there other avenues that could be explored before autotune? Someone mentioned the difficulty of hitting the right notes when it's so loud you can hardly hear yourself. What about vocal and breath coaching? Surely there's no harm in turning the sound down a bit and getting a bit of help, even this far into a career. Many musicians learn new techniques throughout their careers so why not? Of course the bottom line is this is us just trying to pretend like we have any influence on what they could do, but I do agree that it's somewhat of an issue for some (maybe many) people.
@naur Oh yeah. The very best way.
@naur Heavy heavy vibration where I stood too. 😀
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