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Well, it's hard to disagree with Bent there imho… Although a few songs from that period still rules.
The Bomb Proof Roll & Beyond Parts I-V? That has to be the Leipzig version.
That 20 minute version was long enough to cut up into 5 parts (all with ridiculous names, I guess :lol: ) Landslide could be the Bielefeld 2008 version, that one was long and beautiful… Or maybe they consciously chose versions that weren't bootlegged?
Anyway, I really like the tracklist. They put an emphasis on mostly obscure tracks, which they could really stretch out and re-interpret live.
Obviously ordered here as well. Ordered the Rune-edition through CDON (had a gift certificate there :MPD: )
If you don't mind, here are the other vids posted:
Year Zero
PPPP
Are you 100% sure about the acoustic set? Because I read elsewhere that the acoustic set was Feel, TUESDAY MORNING! and Upstairs/Downstairs…
Other than that, awesome setlist!
Quote:and I have never seen a crowd rush faster to the exit doors, than 0.2 seconds after Gullible's Travails was over. Hopefully better today.I read on someone's Twitter that it was because the last train was about to leave shortly after the gig end. So the crowd rushing to the exit doors, were those train-passengers, I guess :lol:
Seems like they played The Bombproof Roll & Beyond too:
Good news Juergen! The recording might surface on Dimeadozen or Motortrades? If so, that's awesome news!
Some Youtube-clips:
Kill Devil Hills–>Hallucifuge
http://www.youtube.com/watch?v=RxaTWxXqMMs
Fool's Gold
Yeah, I also thought that he said it was called "On A Plate". And according to your video, that's the title…
According to Dampsaba, the boys played a song called On A Plate 4 times in 1991. So it would be hilarious if they resurrected that old song (even though nobody has heard/or remembers the original)
Quote:I must admit "Close your eyes" didn't really blow me away. Pretty doomy, yes, but not a towering psychedelic highlight — at least not on YouTube (cannot be compared to live anway).For me, this was the song where Bent's heavy-as-fuck bass-sound really worked to its advantage imho. Together with Snah's autumn 2002 midjam riff, it became a really trance-inducing number. But I can understand that feeling didn't come quite across on the Youtube-clip…
And besides, these are the kind of re-interpretations MP have become famous for, no? Taking an innocent piano-ballad and stretching it out to a 15 minute drone-monster, that's like classic MP there.
Anyway, good luck to you guys/girls seeing them in Bergen/Stord later this week
