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Are you 100% sure about the acoustic set? Because I read elsewhere that the acoustic set was Feel, TUESDAY MORNING! and Upstairs/Downstairs…
Other than that, awesome setlist!
Quote:and I have never seen a crowd rush faster to the exit doors, than 0.2 seconds after Gullible's Travails was over. Hopefully better today.I read on someone's Twitter that it was because the last train was about to leave shortly after the gig end. So the crowd rushing to the exit doors, were those train-passengers, I guess :lol:
Seems like they played The Bombproof Roll & Beyond too:
Good news Juergen! The recording might surface on Dimeadozen or Motortrades? If so, that's awesome news!
Some Youtube-clips:
Kill Devil Hills–>Hallucifuge
http://www.youtube.com/watch?v=RxaTWxXqMMs
Fool's Gold
Yeah, I also thought that he said it was called "On A Plate". And according to your video, that's the title…
According to Dampsaba, the boys played a song called On A Plate 4 times in 1991. So it would be hilarious if they resurrected that old song (even though nobody has heard/or remembers the original)
Quote:I must admit "Close your eyes" didn't really blow me away. Pretty doomy, yes, but not a towering psychedelic highlight — at least not on YouTube (cannot be compared to live anway).For me, this was the song where Bent's heavy-as-fuck bass-sound really worked to its advantage imho. Together with Snah's autumn 2002 midjam riff, it became a really trance-inducing number. But I can understand that feeling didn't come quite across on the Youtube-clip…
And besides, these are the kind of re-interpretations MP have become famous for, no? Taking an innocent piano-ballad and stretching it out to a 15 minute drone-monster, that's like classic MP there.
Anyway, good luck to you guys/girls seeing them in Bergen/Stord later this week
I think the video and audio wasn't that bad at all. And your effort to make the video sure is much appreciated, that's for sure. When I looked at in in 720p, the picture was pretty good, despite the occasional shakiness.
But my question: Are there more audience singing on your video alàNothing To Say?
And I guess people would be VERY interested in seeing Close Your Eyes, for example…
The best thing would be to omit it entirely :lol: If they want to play a COTF song that they can jam their asses off on, Cornucopia is a better choice. That one's superior in every aspect I can think off…
Which guitar are you talking about? Do you mean the yellow & black one that he played on Pills and Close Yr Eyes? Cos that's the guitar that he had custom-made by the same guy who made Bent's reverse Thunderbird-basses (or Psychobird, as they're called
)I remember it sounding a bit fucked up on Pills, but not on Close Yr Eyes…
Can't say that I've seen the soundguy before. But he did seem like a fish out of water at times. And if there's one thing that a MP-concert definitely requires, it's good sound. I can understand if the soundguy needs 1 or 2 songs in the beginning to set the balance and levels straight (that's natural). But when it becomes long stretches of songs without any audible sound improvements….
And please stop playing Whole Lotta Diana! That song was average on COTF, and becomes almost unbearable live… Don't make a concert staple of it.
Ok, I'll stop the negative criticism rant now :lol:
More positive notes: If Leslie's Vest and Neanderthal are part of the stuff they'll record in May with that Trondheim-orchestra, then I'm VERY excited, to say the least.
I can definitely picture them with some orchestral arrangements and added stuff.
Like I said earlier, more similar to the autumn 2002 live version. But way heavier and… more sludgy. Started off with a long intro resembling the mid-jam of the old live-version, then the main riff/part and some more heavy & sinister jamming before returning to the main melody sorta.
Maybe uninspired was a harsh word to use. He did look into it. But I guess the shitty sound during the first hour contributed to that impression. His guitars and effects just blurred into one big mess during that first segment.
Note to self: Choose different place to stand and watch next time at Rockefeller :lol:
On a positive note: When Snah switched to playing keys (fender rhodes?) on the first part of the Mountain-jam, I got some serious Robert Fripp-vibes when I saw him on stage :lol:
I'll try a setlist:
Year Zero
New Song #1 (Leslie's Vest, according to kaizer's setlist-scan)
Whole Lotta Diana —>
StarWheelHammer —>
New Song #2 (Neanderthal, according to kaizer's setlist-scan)
Greener
Pillz, Powderz & Pazzionplayz
Close Your Eyes (drastic re-interpretation, somewhat similar to the autumn 2002 version, but way heavier)
Kill Devil Hills —>
Hallucifuge —>
The Alchemyst
Mountain —>
Nothing To Say
Gullible's Travails
Total duration: 2h 35 mins (from 22:00 to 00:35)
Mixed feelings about this gig. Playing was tight as fuck, setlist decent. But there was something missing. And Snah was imho uninspired, playing too much noisy non-descript stuff with effects. And the sound was awful where I stood (it improved later on though, somewhere in the more mellow parts of Pills). When the sound did improve, the setlist also got better. So the last half of the gig was pretty good.
StarWheelHammer was awesome, Greener and Pills too. And Close Your Eyes was for me the definitive highlight of the night with some downright incredible jamming.
And the Mountain/Nothing To Say combo obviously brought the house down.
Funny Bent comment before Mountain: "This song also did not win the Spellemann award" :lol:
(Spellemann award = Norwegian Grammy's which was held the same night. HMF nominated in best rock, and did not win)
But hey, everyone can have an average day at the office…
