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Thanks for link, can't say it helped a lot, well, well, better off stop wondering about this and wait for new stuff (with Year Zero radiating in the air
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I really don't understand statements like this:
somewhat stuck at the moment and maybe Kenneth sensed that Motorpsycho is not the vehicle to go to new places anymore.
With unique records as Unicorn, For Folk Flest, LLM and HBM1&2, The Carte Blanche series and future work like music for Tiller and Trøndelag teater it must be something I dont get. Care to explain?
I think Stickman got some ex to sell from the first pressing. Next pressing has not started yet I would guess.
577 & Taifun are indeed great songs, I also miss some songs, however it's not fair if you don't say what to leave out
I must confess I don't understand the following dilemma:
a master piece of some kind is created and published after many, many years of hard and dedicated work and experience.
However, now – author's only concern is to limit distribution of the very creation.
Can, some creative soul, explain the logic behind this strange logic?
Talking about Little Ricky Massenburg, why was that beauty hidden as track #3 on Serpentine EP, strange thing.
the one who…
big surprise
starmelt/lovelight
wearing yr smell
now its time to skate
might be some more? the talk by Jelle was very nice as well.
Quote:HBM shouts for being played in it's entirety!Yeah!
Or will they try to recreate the teknisk museum thing?
What about the "to be continued…": will HBM, the track, be played
or released in some format?
Is to possible to do all the nice singing & details on HBM live?
Can Ståle (when he comes back) add even more cool tangents on top of all this?
Does is make sense to let Ståle join Thomas on stage, would be very cool!?
Which old songs will blend best with the new stuff? Some nice selections from ltec&phanerothyme will fit nicely with spin,spin,spin?
Will the wheel be played inside big black dog?
Quote:It's also a very good sounding album, the production is really crisp yet dynamic and fat. And they seem to have toned the higher pitched vocals down in favour of melodies more within their rangeYeah. Bent has done a really nice job, with each instruments is visible and lots of nice details. I also like the slowness, this must be slowest moving record in recent MP history.
