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about bents middle fingers. in heidelberg the evening before there were problems with the sample of plan#1 too, just the last words were able to hear, you could hear someone mixed it in too late. it was a bit sad for me, because it seemed a bit unprofessional. so maybe that happened in brussels too and bent was pissed about that. could understand it. and yeah, nice setlist again…
great show, maybe the best i´ve seen from them. i especially loved the jamming in mountain, starhammer and un chien. and the sound was great, very dark and old doom style (esp. mountain and starhammer worked well with this sound) the basssound is not from this world, very very good. and riding the riger was very weak in my opinion last tour, but this time it was very very good. snah changed 1 chord in the verse, so he was able to sing along better, so the song worked very well. btw. very good positioning of the drum, kenneth was deeply involved in the whole sound. and the best short song was timothys monster. wow, what a monster of a song live. my deepest love to motorpsycho!!!
maybe this helps understanding? http://www.firstpeople.us/FP-Html-Legends/The-Eagles-Son-Yaudanchi-Yokut.html
And it is a rare track from the soundtrack to the 1969 film “What’s Good For The Goose” starring Norman Wisdom, performed by The Electric Banana, which is usually the band Pretty Things. I posted the link before.
wow, such a nice selection of songs, and sideway spiral !!! still in the set. it started to be my favourite in the last tour… really looking forward may now.
btw: would be great to hear your recording. i do not mind about the quality that much… would be nice to hear from you :wink:
wish you all a nice time with the album. i have to wait 2 more month, as i am in south east asia at the moment. see you on the tour in may!!! à ¸¡à ¹ˆà ¸§à ¸™
yes, you are right. it feels to me that the songs from c.o.t.f. were recorded somehow spontaneous and with not a big idea where they could go, and maybe they have been partly improvisations. so the drumsound on that album is a bit spontaneous too and not that constructed. i can see that. i am really looking forward heavy metal fruit, and how the drums will be there. if they catch the live feel well it will be great!!! and yes, keith moon is on a very very special level!!!
no worries from my side about geb and kenneth. they are both great in a very different way. i do not see what mp lost with kenneth. he adds a very far aout improvisational aspect to the music. and he has very deep sense of understandig mp’s music and how to play it fresh and somehow new. i love his way of drumming (just remember his kind of solo on the floor toms in hamburg, that was much more than just technically perfect, it was very very intense).
