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LOL! Now, when they take this to the opera they simply must have dancing pirate dwarves and a miniature model of a sailboat descending from the ceiling. If they do that, I can die a happy man.
Wow, this sure is getting silly.
I'll throw in some more:Nothing to Sail
Demon Boat
Another Ugly Tuna
Back to Shores
The Seas Are Full of… Wine?
Captain Geebheart
She Left on the Supply Ship
And, uhm, Nathan Daniel's Tune from Hawaii?
D'OH! Well, thanks, guys.
Those of you who got your tickets: How long did it take from the order was placed until you received them? I ordered 8 tickets for myself, my wife and a bunch of friends two weeks ago, and still haven't received anything but the confirming e-mail. I'm getting kind of nervous here. 8O
At last! Sentrum Scene, Oslo confirmed.
You've got mail.
You've got mail.
November 4, 2011 at 09:11 in reply to: Motorpsycho feat. Ståle Storløkken @ Nidarosdomen, Trondheim 02.11.2011 #20567
November 3, 2011 at 15:07 in reply to: Motorpsycho feat. Ståle Storløkken @ Nidarosdomen, Trondheim 02.11.2011 #20562Who's the hurdy gurdy man hiding behind the organ, and why isn't he mentioned anywhere?
Post-Mark edit: That's a hurdy gurdy, but who is Tos?
November 3, 2011 at 09:33 in reply to: Motorpsycho feat. Ståle Storløkken @ Nidarosdomen, Trondheim 02.11.2011 #20553Bent and grampa
Nice.
I've been a subscriber since the release of Trust Us, but I guess I wouldn't really miss it now, as it's really dead as a dodo. The momentum was actually lost even long before Geb's departure way back in 2005 (which didn't stir it up much either!). And now we've all got families, web 2.0 and whatnot.
Thanks for great times back in the days!
I agree on the stupid smurfotune on Wishing Well. However, within their limitations in budget and technology, Motorpsycho have actually been "cheating" vocalwise since the very beginning. I've been listening to Lobotomizer quite a bit lately. For one thing, the album ain't half as bad as i remembered, despite the drums. Second thing, check out the pitched down vocals on Eternity. Haha! On Summertime Is Here, recorded a few years later, it's a funny effect taken to the limit and beyond on a song that is a bit of a joke in the first place. On the rather pretentious Eternity I'd say it's bordering on cheating, although not in the sense of digitally enhancing a bad performance. "Dammit, I can't sing in that low pitch. Who wrote this shit? Me? Uhm, would you please speed up the tape, mr. PlayRec?"
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