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Bernie, I can’t stress enough how much your work is appreciated! If it feels like too much work, I understand that, I just hope you can keep the passion. Maybe it’s not necessary to upload so much so fast. I mean, take your time. We all can wait I guess. But it’s such a treat to watch and relive shows, especially in close up shots, to truly see all the little on stage interactions and reactions.
There’s that one drumroll in the recent The Ladder upload which makes Bent glance over to Ingvald while singing… things like that for example.
not having a steady drummer seems to be a money thing, see that italian interview I thought someone posted somewhere in here but I can’t find it.
I’m on dime with a ratio of 0.30 and am a bit worried of getting kicked. I leave the torrents in forever but they hardly ever get seeded back up from my end… Anyone else with this?
I only do MP, maybe that’s why…
Very intense this one. No shorts, just epics, sprawling jams. Very soft, very loud, very slow, very fast. Many WTF and those good ol’ goosebumps moments. One for the books. The Tower middle section was especially fantastic. Also I really liked the choice of songs for the opening section. And Ingvald… damn he’s good!!! It felt to me he’s already been in the band for years.
Chariot was mindblowing. Jesus… And those dynamics overall, the looseness and tightness. When they flew, they flew, when they hit hard, they hit hard. While the Biel show a week ago felt more “round” and flowing, this one was more “extreme”, going all places with surprising moments scattered throughout the songs.
Ah yes and Snah went all Keith Emerson on amphetamines on the mellotron in Hogwash. No need for guitars to burn down the stage.
Bent play chords – yes, both feet – on the Taurus while keeping fingers busy nailing pretty intricate bass lines.
Haha!
On a geeky note, I didn’t even know it’s possible to play chords on the Taurus. But so it’s possible on the Taurus III, then… My Taurus I is monophonic only.
Of course there’s the magic of being a tight knit live band, as we saw in the latter years of the Kenneth and Tomas eras and all the way through the Geb times, but come to think of it: the idea of witnessing a positively energetic but somewhat “shakey” Motorpsycho due to a new drummer is quite intriguing. Accidents and spontaneous saves about to happen throughout.
Oooops sorry.